Shadow Work Art Therapy: A Jungian Practice for Exploring What You Hate
- Katie Helldoerfer
- Mar 22
- 3 min read
Most art therapy invitations start gently.
This is a little different.
What the Shadow Actually Is
Jung had a name for the part of you that got pushed out. The qualities, the impulses, the experiences that weren't acceptable or safe or welcome. He called it the shadow.
It shows up in the places you least expect. An emotion that arrives without warning. An intensity that doesn't match the situation. A reaction to someone else that's bigger than it should be.
That last one is worth pausing on. What enrages us in others often carries the fingerprint of something we haven't met in ourselves. Not because we are what we hate. Because the intensity of the reaction is pointing somewhere.
Jung was clear about what it takes to meet it. Not gentle curiosity. Real effort. A willingness to look at the darker parts of your personality and acknowledge they're yours. He called this a precondition for self-knowledge. It almost always meets resistance.
That resistance is information too.

The Practice
Bring it forward
Think of something you hate. Or something that makes you genuinely angry. A person, a moment, a situation that keeps coming back. Let it be real. Notice where it lands in your body.
You're not going to analyze it yet. You're going to make something.
Represent it
Pick up an object that captures it. A rock. A piece of trash. Something worn or heavy. Or make marks on paper. Tear something. Smear color without caring what it looks like. If a memory keeps surfacing, let that be the material.
The form doesn't matter. The evocation does. Get the feeling out of your body and into something you can set down in front of you.
When you're done, take a breath and look at what you made. Before anything else -- how do you feel looking at it? That first response matters. You'll come back to it.
Sit with it
Move through these slowly. Not all of them. Find the ones that pull at you.
What does looking at this make you want to do?
If your body could take a posture in response, what would it be? Try it, even slightly.
Is there anything here you can relate to, even a small thing?
Is there anything about it you're afraid of?
If it could speak, what would it say? What would it want from you? What would it want for you?
How much of this feels completely alien, like something you genuinely don't recognize in yourself?
If you had to be somewhere inside this image, where would you go?
Before you set it aside
How do you relate to it now compared to when you first looked?
Has anything changed. In the image. In you. In the space between you.
You don't need to arrive anywhere. The shift is the work.
Why Hatred Is a Good Place to Start
Jung observed that the shadow is the most reachable of the deeper archetypes. It's built from personal material. Your history. The parts that got set aside.
When the thing you hate lives only inside you, it's hard to see clearly. When it takes a shape in front of you, something shifts. You're no longer inside it. You can look at it. That's a different position and it changes what's possible.
The fear question matters especially. Hatred is loud and outward-facing. Fear is more exposing. Something that is both hated and feared is almost always carrying something worth knowing.
Sometimes it's been protecting you. Sometimes it's holding grief you couldn't name. Sometimes it's just showing you where your edge is.
Edges are usually where the most alive work happens.
Common Questions
What is shadow work in therapy? The process of bringing disowned parts of yourself into awareness. Rooted in Jung, it means looking honestly at what you've suppressed or projected -- the things that felt too unsafe or unacceptable to claim as your own.
Can I do shadow work without a therapist? Practices like this one can open real territory on your own. But shadow material can be intense. If you find yourself overwhelmed, working with someone trained in depth or somatic approaches is worth considering.
What is expressive arts therapy? Using creative modalities -- art, writing, movement, music -- as a way into self-exploration. Process over product. No artistic skill needed.
How does making art help with shadow work? It gives the shadow a form outside of you. Something you can look at rather than just feel. It tends to bypass the analytical mind and reach material that words alone don't always get to.
If you're in Columbus or central Ohio and looking for this kind of depth work, I'd love to connect.



